INT. BINION'S HORSESHOE – BLACKJACK PIT – FRIDAY NIGHT (SUMMER 1973)
Fred sits at a four-deck shoe, $10 minimum. He has broken his one hundred-dollar chip into tens. His lips move: he's counting. The cards slide out of the plastic shoe like a tax bill. A DEALER with a face like a closed door deals.
FRED
(under his breath)
Forty-one, forty-four... forty-what?
He has lost the count. The Dealer turns a ten. Fred's sixteen dies. His chips shrink.
DEALER
Dealer has twenty.
Hand after hand, sixty dollars bleeds away in ten-dollar bites. Four decks bury the count faster than he can dig it out.
Fred bets twenty. The Dealer shows a five. Fred has six-five. Eleven.
FRED
Double.
He slides out another twenty. The Dealer flicks him a seven: eighteen. The Dealer turns the hole card: a ten. Fifteen. The Dealer hits.
A six.
DEALER
Dealer has twenty-one.
The rake sweeps Fred's last chips. His rack is empty. Nothing on his face moves. In his jacket pocket, ten hundred-dollar chips he hasn't touched.
INT. BINION'S HORSESHOE – SINGLE-DECK TABLE – MOMENTS LATER
A hand-lettered sign: $100 MINIMUM. An OLD DEALER, MORRIS (60s, sleeve garters), shuffles by hand, quick as a card sharp. Fred stops behind an empty stool. His hand goes into his jacket and comes out with the marker chips. He sets the tray on the felt. His fingers stall on the top chip.
MORRIS
Sit or step aside, sir.
Fred sits. One hundred-dollar chip in the circle. The cards come down. Fred looks at his hand a long moment. Then he taps the felt.
HIT.
[SCENE END]
★ ★ ★
INT. BINION'S HORSESHOE – SINGLE-DECK TABLE – SATURDAY, 1:30 A.M.
Hours in. MORRIS deals by hand. Half the deck is out. Fred's stack has grown, and his thumb ticks the felt once per low card. Nothing else on him moves.
The deck goes rich. Fred slides out four hundred-dollar chips. He wins. Next hand the deck goes cold, and he's back to one chip.
Across the pit, a PIT BOSS (50s, cigar) marks a card. A SECOND PIT BOSS joins him.
PIT BOSS
Table nine. Deck goes rich, he bets four. Deck goes cold, he's back to one.
SECOND PIT BOSS
Lucky kid.
PIT BOSS
Lucky doesn't know when to slow down. That's a system. Somebody read Thorp.
SECOND PIT BOSS
Back him off?
PIT BOSS
Not yet. Send the hostess with the mostest. Let's see if he can count and be charmed at once.
CHARLENE (30s, red gown, a smile she's had fitted) arrives at Fred's shoulder. She is very good at this.
CHARLENE
Evening, sugar. The house sends its compliments. Steak, a suite, champagne.
FRED
No, thank you, ma'am.
She settles onto the rail between him and the discard tray.
CHARLENE
Where you from?
FRED
Memphis.
CHARLENE
Memphis! Married? Kids?
He answers politely. He loses the count.
FRED
(under his breath)
Thirty-one... thirty-four... thirty-what?
Three chips into a cold deck. He loses. Fred looks at her, calm as a range officer.
FRED (CONT'D)
Ma'am, you're the best diversion I've ever seen. The Marines would give you a medal.
CHARLENE
(smile intact)
I'm just being hospitable.
FRED
You're standing on my sightline.
She steps back one inch and stays. The Pit Boss lifts two fingers.
PIT BOSS
Morris. Shuffle up.
Morris hesitates, then squares the deck early. The count dies. Over the next two hours, Fred's stack shrinks.
4:10 A.M. Charlene has moved on to a table of Texans. Fred has two hundred-dollar chips left. He hasn't bet. Morris waits with the deck in his hand.
MORRIS
Sir?
FRED
(low, to the felt)
My father left me four million dollars. It's sitting in fourteen airplanes. I told my wife it wasn't true. About my sisters. Like a man denying a parking ticket.
Morris squares the deck and taps its edges, slowly, stalling. It's a kindness.
FRED (CONT'D)
My daughter's three. I told her one day her name would go on the side of one.
(beat)
I don't know how to go home if I lose it, Morris.
MORRIS
Twenty-two years behind this felt. Never once seen a man say it out loud and play worse after.
PIT BOSS (O.S.)
Shuffle, Morris.
MORRIS
(not turning)
Deck's got another hand in it.
Fred's eyes go to the discards, and the count comes back. The deck is thick with tens. He pushes one chip into the circle. A six and a five: eleven. The dealer shows a five. He slides his last chip in beside the first, doubling.
FRED
Double.
MORRIS
(quiet)
Last chip.
FRED
Last chip.
Morris flicks a card. A ten. Twenty-one. Morris turns his hole card: fifteen. He hits. A king.
MORRIS
Dealer busts.
Across the pit, the Pit Boss watches. He lifts a hand to stop the Second Pit Boss, and puts the cigar back in his mouth. Morris pays four hundred and slides it over.
FRED
Thank you, Morris.
MORRIS
Thank the book, sir.
[SCENE END]
★ ★ ★
INT. BINION'S HORSESHOE – SINGLE-DECK TABLE – SATURDAY, 10:40 P.M.
No windows and no clocks. Smoke hangs at eye level. MORRIS riffles a fresh shuffle, squares the deck, and offers the cut. Fred cuts. His lips move once: zero.
At the table: SONNY DUPREE (50s, Stetson, wide lapels, Fresno Chevrolet pin), TOMMY BRANNIGAN (20s, buzz cut, civilian clothes that don't fit yet) and RAYNA PULCHER (40s, ivory silk, diamonds worn like a dare). She has a stack of black chips and a gaze that prices men. Fred checks his watch the way a pilot does: wrist turned in, two seconds, done.
MORRIS
(dealing, not looking up)
Where's everybody from, and how long's your stay?
SONNY
Fresno. Forty-one days over a hundred and a mother-in-law in my den. I told my wife Monday.
(beat)
I'm thinking Thursday.
RAYNA
Palm Beach, by way of three husbands. I stay until it stops being interesting.
(beat, eyes on Fred)
It hasn't started.
TOMMY
(a beat too long)
Haven't decided.
FRED
Memphis. Twenty-two hundred hours and ten minutes. Sunday.
RAYNA
Darling, I asked when you're leaving, not for your safe combination.
FRED
Ten-ten p.m., ma'am.
Tommy's head comes up. He knows that clock.
The Dealer shows an ace. Sonny waves.
SONNY
Insurance! Everybody take insurance!
FRED
No, thank you. Insurance is fear with a receipt.
Rayna's eyes stay on Fred a half-second too long.
QUICK CUTS – ROUND ONE
INSERTS, half a second each: A, 7, K, 10, 5, 3, 8, J, 9, 9.
FRED (V.O.)
Minus. Zero. Minus. Minus. Plus. Plus. Zero. Minus. Zero. Zero.
FRED
(a whisper)
Minus two. Going minimum. Flying in a hard deck.
One chip.
QUICK CUTS – ROUND TWO
INSERTS: 6, 4, 2, 5, K, 7, 3, 6, 4, 8.
FRED (V.O.)
Plus. Plus. Plus. Plus. Minus. Zero. Plus. Plus. Plus. Zero.
FRED
(a whisper)
Plus four.
Three chips. Tommy hears it.
QUICK CUTS – ROUND THREE
INSERTS: 3, 9, 10, 2, 8, K, 5, 7, 7, 6.
FRED (V.O.)
Plus. Zero. Minus. Plus. Zero. Minus. Plus. Zero. Zero. Plus.
FRED
(a whisper)
Plus six. Very high.
Five chips. Tommy stacks five, a half-beat behind him. Rayna sets down a single thousand-dollar chip and slides it out as easily as a coaster.
RAYNA
(soft, not looking at him)
Plus six.
Fred's lips stop.
RAYNA (CONT'D)
Don't stop. Stopping is a tell. Your lips move on the tens.
FRED
(level)
I'm praying, ma'am.
RAYNA
Then God counts cards. I'd like to meet him.
She wins a hand and doesn't look at it.
RAYNA (CONT'D)
I'm not the pit, darling. I just outrank them. The man with the cigar has been watching you for two rounds.
Fred doesn't turn his head. Across the pit, a PIT BOSS lifts two fingers.
A COCKTAIL WAITRESS (20s, red uniform, a smile that survives fourteen-hour shifts) arrives with a tray and a memory for orders.
COCKTAIL WAITRESS
Round of drinks, folks?
RAYNA
Pour me a coupe of Dom Pérignon over a sugar cube soaked black in Angostura. Top it with a heavy splash of Hennessy and a fresh lemon twist. And bring me a side saucer of raw lemon wedges, double-quick.
MORRIS
(mild)
Sugar, bitters, cognac and Dom. That's not a drink, ma'am, that's a résumé.
RAYNA
Champagne for the celebration. Cognac for the truth. Bitters for the men. And the lemon...
(a smile)
...keeps me sour.
TOMMY
I need some Heiny for me, please.
COCKTAIL WAITRESS
Heineken.
TOMMY
Yes, ma'am. Heiny.
SONNY
Double Old Overholt rye, over icebergs.
COCKTAIL WAITRESS
Rocks?
SONNY
Icebergs, darlin'. Something that can sink a ship.
COCKTAIL WAITRESS
(to Fred)
And you, handsome?
FRED
Double Seagram's Ginger Ale, and a water. Nothing in it.
Rayna watches him order. She understands exactly what it means.
RAYNA
The only man at the table who isn't drinking. That's the first thing I noticed.
FRED
I'm saving myself for a landing.
RAYNA
(low)
So am I.
Fred turns his wrist: 10:41. Two hours ahead in Memphis. Linda's asleep. His lips do the arithmetic. Rayna sees that too.
MORRIS
Sir?
FRED
Deal.
INT. BINION'S HORSESHOE – SAME TABLE – 11:25 P.M.
Rounds have piled up. Fred's bets have reached the table limit. Tommy copies him. INSERTS, half a second each: 5, 2, K, 6, 4, 3, 7, 5, 6, 9.
FRED
(a whisper)
Plus ten... plus eleven...
(beat)
Plus twelve.
The table has gone quiet. The Cocktail Waitress lingers with an empty tray, in no hurry. Morris slows his hands.
MORRIS
(mild)
Deck's getting thin, gentlemen. Might as well pass the time. So what all do y'all do for a living?
SONNY
Chevrolets. Nineteen years, Fresno.
RAYNA
Sold or drove?
SONNY
Sold.
RAYNA
A man who sells Chevrolets tells you the price before his name. You haven't asked me for a deposit yet.
SONNY
I sell to people who lie about their credit. Comes with a talent. I can tell when somebody's lying.
RAYNA
Then you must be exhausted at this table.
Sonny lifts his rye and says nothing.
TOMMY
Marine. Was. Three weeks ago.
FRED
Semper Fi.
TOMMY
(a beat, quiet)
Sir.
RAYNA
I'm in acquisitions.
TOMMY
Of what?
RAYNA
Whatever men mismanaged and loved less than I would. Three husbands, each one a merger.
(turning)
Mr. Memphis? And you?
FRED
I move things overnight.
RAYNA
What can't wait until morning?
FRED
Anything someone will pay for.
RAYNA
A man who sells urgency. I've been offered a great many companies at tables like this one.
(beat)
Yours sounds like it's on fire.
Fred's face doesn't change. Morris squares the deck.
MOMENTS LATER – 11:40 P.M.
The count sits at plus twelve. Fred's bets have reached the limit. Tommy copies him. SONNY stopped pretending to read his cards two rounds ago. RAYNA hasn't looked at her own hand in three. She's looking at Fred's wrist.
INSERTS, half a second each: 4, K, 6, 2, 9, 5, 7, 10, 9, 8.
FRED (V.O.)
Plus. Minus. Plus. Plus. Zero. Plus. Zero. Minus. Zero. Zero.
FRED
(a whisper)
Plus fourteen.
He pushes out the limit. Sonny watches the chips go.
SONNY
(into his rye)
Alea iacta est.
RAYNA
(mild)
Your accent's better than your Chevrolets, Mr. Dupree.
SONNY
High school.
RAYNA
Of course.
She turns to Fred without hurry.
RAYNA (CONT'D)
Mr. Memphis. A man who's praying doesn't turn his watch in every time the count moves.
Fred's eyes don't leave the felt.
FRED
It keeps time, ma'am.
RAYNA
So does a metronome. Nobody mistakes it for a heartbeat.
A beat. Fred understands: she isn't the pit, and she isn't a bystander. He sets his jaw and says nothing.
The Cocktail Waitress arrives with Rayna's second round: a French 75 in a flute, Grand Cru Champagne over a dark, aged-vinegar syrup.
Rayna turns her ring, a single pearl in a gold setting. She works it loose. It slips into the glass with a small, expensive plink.
TOMMY
Ma'am, your—
RAYNA
(not looking at it)
How careless of me.
She drinks. The table stares at her. Fred is the only one who doesn't look at the glass.
MORRIS
Last hand, folks.
Fred slides out the limit. Rayna plays two hands at the limit, without looking at either. Fred wins. The pit's eyes narrow.
MORRIS (CONT'D)
(squaring the deck)
Shuffle up.
The riffle cuts through the room like a zipper. Fred's lips move once.
FRED
(a whisper)
Zero.
RAYNA
Something ended.
FRED
The deck.
He stacks his winnings and stands. Rayna is already rising, as if it had been arranged.
RAYNA
Have dinner with me. Mine.
FRED
I don't take handouts, ma'am.
RAYNA
It isn't one. It's a wager. My husband Mark, Mark Halloran, all his money and none of his sense, used to say a man who saves for something is the only man worth feeding.
(beat)
You're saving. I'd like to know what for.
Fred checks his wrist: 11:52. Two hours ahead in Memphis. Linda's asleep.
FRED
I pay my own check.
RAYNA
(delighted)
Then you'll owe me a story.
Tommy half-rises. Fred doesn't turn.
FRED
Hold your position, Marine.
Sonny watches them go, then studies Tommy's jaw.
SONNY
You ought to see somebody about that tooth.
TOMMY
It's fine.
SONNY
(quiet)
It isn't.
[SCENE END]
★ ★ ★
INT. BINION'S HORSESHOE – CAGE – SUNDAY, DAWN
The same CAGE CASHIER. Fred sets a rack of chips on the counter. The stacks say it: $27,000.
FRED
Mr. Harmon's marker. One thousand.
The Cashier stamps it PAID and slides Fred twenty-six thousand.
Fred peels off five hundred and sets it aside.
FRED (CONT'D)
For the dealers. And five for the girls.
CAGE CASHIER
The girls?
FRED
The cocktail waitresses. They've been pouring my water since Friday.
The Cashier counts what's left. Twenty-five thousand. Fred looks at it a long moment, then heads for the phone booth. He stacks dimes on the shelf.
[END OF EXCERPT]