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CONFIDENTIAL INTELLECTUAL PROPERTY • GENESIS 50:20 AT THE AIRPORT WHERE FREEDOM TAKES FLIGHT
"You intended to harm me, but God intended it for good… the saving of many lives." — Genesis 50:20
"Do not conform to the pattern of this world, but be transformed by the renewing of your mind." — Romans 12:2
"Do not conform to the pattern of this world, but be transformed by the renewing of your mind." — Romans 12:2
Editorial note: what follows is two overlapping approaches to the same beat — Fred, alone, undecided, hearing Holt's voice instead of his own. One plays through a coffee cup; the other plays through a departures board and a redeye announcement. Both are included here, unresolved, for a future writer or editor to select, blend, or sequence as the cut demands.
INT. O'HARE INTERNATIONAL AIRPORT – CONCOURSE – LATE AFTERNOON (SUMMER 1973)
Fred counts loose change into a vending clerk's hand for a coffee, black, no cream — he doesn't have enough left over for anything else. He slumps into a padded airport chair near the gate, waiting for the boarding call to Memphis. Defeated. Done arguing, done pitching, done for the day.
He takes a sip. Lowers the cup. His own name is scrawled across the side in grease pencil, misspelled by whoever rang him up.
FRE.
He stares at it a long moment. Then looks up, out the window, at a TWA jet lifting off the runway, climbing, gone. He looks back down at the cup.
He takes out his pen. Adds four letters.
FREEDOM.
A half-smile — tired, almost bitter, a man laughing at the one word in front of him that has nothing to do with his actual situation. He feels anything but free. He feels trapped.
In his head, a voice rises — not his own. Duncan Holt's, confident, demanding, exactly as Fred pictures his face when he said it.
HOLT (V.O.)
In order to survive now, you have to be a survivor, not a victim. Survivors are resourceful, sharp, and self-sufficient…
(beat)
…like…
Fred double-clicks his pen against his own chest, twice, sharp — finishing the sentence himself, out loud, to no one.
FRED
Like me.
A long smile spreads — the first real one he's had since he walked into that boardroom.
A GATE ATTENDANT's voice crackles over the terminal speakers.
GATE ATTENDANT (O.S.)
We are missing one person. Last boarding call to Las Vegas.
★ ★ ★
INT. O'HARE INTERNATIONAL AIRPORT – CONCOURSE – CONTINUOUS
Fred pulls out his boarding pass, checks the departure time. 5:00 PM. He looks up at the split-flap board — MEMPHIS, ON TIME. Below it, FINAL BOARDING, LAS VEGAS. The clock above reads 4:30. He has time. Time to think about how he's going to save Federal Express.
He slouches in the chair, pondering the possibilities.
Duncan Holt's voice takes command in his head.
HOLT (V.O.)
What can you tell me right now, as a guarantee, Fred?
Fred thinks about a guarantee. He has no funding. Linda is under pressure from her in-laws — she's not going to lend him anything. If he could just maybe borrow from all the employees' savings…
Holt's voice takes control of the thought again.
HOLT (V.O.)
How about you stop trying to deliver small packages and start delivering on the big promises.
Fred nods slowly, thinking.
A FLIGHT ATTENDANT hollers at the top of her lungs from the next gate over.
FLIGHT ATTENDANT
Okay, everybody — we have a big special redeye flight to Las Vegas! Twenty dollars, first come, first served!
Fred glances at his watch — 4:45. Looks at the payphones. Shakes his head.
FRED
Let's play ball.
He looks right at the attendant.
FRED (CONT'D)
I'll take the chance to Las Vegas.
FLIGHT ATTENDANT
The ticket's $20. You have to board now!
INT. O'HARE INTERNATIONAL AIRPORT – TICKET COUNTER – CONTINUOUS
The FLIGHT ATTENDANT motions Fred over to the counter. He hands her a Visa card. She runs it. Denied. He hands her a Mastercard. Denied. He fishes through his wallet, finds an American Express card — LINDA SMITH embossed across the front — and hands it over.
She runs it. It goes through.
The boarding pass prints on a dot-matrix printer, the head clattering line by line. She's impatient — rips it straight through the printer before it finishes feeding, leaving a big scuff mark torn across the ticket.
FLIGHT ATTENDANT
It happens to be a first class ticket — you're in the front of the plane. I guess it's your lucky day.
Fred genuinely cracks a huge smile.
FRED
I guess today is looking lucky from here.
He walks quickly into the boarding tunnel.
INT. TWA 727-200 – FIRST CLASS CABIN – CONTINUOUS
Fred steps aboard — wide leather seats, two full recliners on either side of the row. Nonstop to Las Vegas.
A FLIGHT ATTENDANT reaches for his ticket.
FLIGHT ATTENDANT
Welcome aboard the flight, our Royal Ambassador.
She shows him to the aisle seat.
FLIGHT ATTENDANT (CONT'D)
(a wink, a smile)
You look like you could use a stiff drink.
FRED
(grinning)
You must be a mind reader.
FLIGHT ATTENDANT
I just read horoscopes. You looked like a tired lion.
Fred thinks for a moment, sitting down.
FRED
Actually, I am a Leo. That's right, how did—
She smiles, stowing his luggage in the overhead bin.
FLIGHT ATTENDANT
I know, Leo. It's been a long day — let's get you started with a bourbon and water.
INT. TWA 727-200 – COCKPIT / CABIN – CONTINUOUS
The PILOT's voice crackles over the intercom.
PILOT (V.O.)
We are clear for takeoff. Please fasten your safety belts and prepare for takeoff.
(beat)
We're looking clear of any weather on the flight path, and we encourage everyone to relax and enjoy your flight to Vegas.
Fred settles back into the seat, thinking to himself.
FRED (V.O.)
My little carnival is about to take flight— and double down on winning our fuel money.
A beat. Then, quieter, more honest.
FRED (V.O.) (CONT'D)
Or everybody's going to kill me before I get back to Memphis.
[END OF SCENE]
Continues in Double Down or Die, Scene 11 — Binion's Horseshoe, Las Vegas